TKB - 888 — 890
- 1junc spring
- 2b horizon
- 3lib eas
- 4T52
- 5kun arch
- 6firebell
- 7fire eas
- 8322
WofK002
•
Open edition
WofK002
World of Knots presents 888–890, a collection of “luddite techno” experiments from TKB.
Recorded on Wurundjeri land with makeshift recording setups and obsessive fervour, the album folds hand percussion, harmonica, smokey drones and field recordings of rural bush Victoria, into dense, rolling atmospheres. This is music best heard without context, marked by smudged patterns and blurred tonal associations.
Heard as individual fragments, the tracks drift from singularly pulsing ritmic meditations into a complex babel of noise and atmospheric commotion. As a whole, the release coheres in contradiction—idiosyncratic rhythms breaking and reforming, familiar characters dissolving into abstraction. Here TKB finds a pace that is bold and concealed all at one.
TKB’s own Burgan Triangle Tapes imprint, and the cover painting of a forest in Coldstream by Georgia Emslie might provide a frame of reference, but 888-890 resists any clear linearity despite these clues — shaping itself instead as a shifting, environmental terrain.
Mastered by Rashad Becker at Clunk Studios.
Cover art by Georgia Emslie.
All music by TKB.
Recorded on Wurundjeri land.
World of Knots presents 888–890, a collection of “luddite techno” experiments from TKB.
Recorded on Wurundjeri land with makeshift recording setups and obsessive fervour, the album folds hand percussion, harmonica, smokey drones and field recordings of rural bush Victoria, into dense, rolling atmospheres. This is music best heard without context, marked by smudged patterns and blurred tonal associations.
Heard as individual fragments, the tracks drift from singularly pulsing ritmic meditations into a complex babel of noise and atmospheric commotion. As a whole, the release coheres in contradiction—idiosyncratic rhythms breaking and reforming, familiar characters dissolving into abstraction. Here TKB finds a pace that is bold and concealed all at one.
TKB’s own Burgan Triangle Tapes imprint, and the cover painting of a forest in Coldstream by Georgia Emslie might provide a frame of reference, but 888-890 resists any clear linearity despite these clues — shaping itself instead as a shifting, environmental terrain.
Mastered by Rashad Becker at Clunk Studios.
Cover art by Georgia Emslie.
All music by TKB.
Recorded on Wurundjeri land.