Location: Tokyo, Japan

Can you tell us about this track?

Our label is a platform to present DJ tools with a forward-thinking sound. I don't believe that bangers and 4x4 kicks with a uniform flow are the only DJ tools that work in the club. For us, a DJ tool is a single track with the potential to generate many different ideas and take the set in different directions every time you play it. It can be placed at the peak of a set, used to drive and incite the space, or as a gateway to the deep zone. Our theme is to release unique tracks that combine a variety of uses.

What's your process?

The process is not constant. It varies from artist to artist. What I do in common is to tell them how I feel about them and what I think is best for them. However, my basic intention in working towards a release together is to create an opportunity to work on something challenging in the artist's production, while being respectful to those who produce the music. A track full of challenges cascades into the next someone else's challenge (or the opportunity to do so).

Can you tell us about your scene?

My only feeling is that there are so many unique and high-quality DJs in Japan, not just in Tokyo. I think many of them are full of curiosity about music. And especially young DJs are very observant and practical, which I admire and find inspiring. Unfortunately, however, there are still very few people who are into trackmaking. And I’m no exception. I think we need to think carefully about how long we will face this “DJ” and “Producer” gap problem.

Who are your biggest influences?

There is no doubt that Ben UFO is one of the DJs who brought me into this huge electronic music world. But now I’m influenced by the DJs/artists we have invited to the KaitaiShinsho Party. I’m touched and inspired by the thoughts, feelings and personalities of each of them.

Who's your favorite artist on Nina?

FELT label.

Any shoutouts?

We are serious about having the best fun!

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