Only Now - Only Now Presents: Indian Unclassical Vol. 1

Only Now - Only Now Presents: Indian Unclassical Vol. 1

Only Now Releases
Only Now

onlynow

2025/03/07
  1. 1Time Suffocation (feat. Kamaljeet Ahluwalia)
  2. 2Slit Ties (feat. Robin Sukhadia)
  3. 3Glory (feat. Sheela Bringi)
  4. 4Vision Through (feat. Kamaljeet Ahluwalia)
  5. 5Cavern Trance (feat. Robin Sukhadia)
  6. 6Inverted Memories (feat. Rajib Karmakar)
  7. 7Ghosts Of Regret (feat. Rajib Karmakar)
  8. 8Fires, Bodies, Slow Burn, No Wood (feat. Sheela Bringi)
  9. 9Last Gasp (feat. Rajib Karmakar)

002

Open edition

With the first volume in the new ‘Indian Unclassical’ series Kush Arora presents a lineal reorientation for the Only Now project, centred on heavyweight experimentation and traditional Indian heritage. Across a nine-track collaborative suite of fractured rhythms, consuming drone, and poignant echoes of virtuosic Indian music, Arora produces a singular work where time-honoured roots and pioneering forms combine to form an imposing, foreboding environment.

The process for the ‘Indian Unclassical’ series began with a request for solo instrumental pieces from influential Indian classical musicians including Robin Sukhadia (Tabla), Sheela Bringi (Bansuri), Kamaljeet Ahluwalia (Santoor) and Rajib Karmakar (Sitar). Alongside co-producer / curator Sukhadia (aka Tablapusher) – an essential player in the Indian classical community – Arora then reshaped these contributions, subverting classical diurnal and nocturnal ragas with tidal waves of noise and resonance.

On this unique collaborative encounter the Only Now project and the conventions of Indian classical music are equally transformed, as Bairagi (early morning raga), Brindavani Sarang (afternoon raga), and Malkauns (post-midnight raga) are brought into proximity with assaultive rhythms and sunken soundscapes, making for a formidable collision of disparate modes and disciplines.

From the convulsive Santoor-led dread of ‘Time Suffocation’ through the propulsive Tabla-driven tempos of ‘Slit Ties’ and ‘Cavern Trance’ and on into the sombre Sitar-toned space blues of ‘Inverted Memories’ and ‘Last Gasp’, Only Now mixes craft and prowess with power and scale, moving between dissonant onslaught and luminous abstraction. Here, Arora connects ancestral tradition with relentless contemporary flux, embodying the ever-changing pluralities of history and identity.For Arora the first installment of the ‘Indian Unclassical’ series is the product of an enduring interest in experimenting with traditional Indian music, as some of his earliest material incorporated industrial interpretations of Punjabi music, with many of these nascent productions supported by long-time collaborator Sukhadia.

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