- 1Lip
- 2Sunscreen
- 3Breaker
- 4Trees
- 5Foam
- 6Peeler
- 7Infinity Trim
- 8Tilted
FLT-111
•
Open edition
Release date: August 15, 2025
℗ + © 2025 felte
Written by Leon Mosburg
Performed by Shaki Tavi
Produced by Jon Yeston
Engineered by Jon Yeston @ EastYeston Studios, Los Angeles, CA
Mixed by Jon Yeston @ EastYeston Studios, Los Angeles, CA
Mastered by Kevin Smith @ Huge Hog Sound, Los Angeles, CA
Album photography by Sean Stout
Artwork Layout/Design by Austin Arias
Artwork Fonts by Austin Arias
Vocals by Leon Mosburg
Additional vocals by Nick Logie, Cara Salimando
Guitars by Leon Mosburg, Nick Logie
Additional guitars by Dylan Freeman
Bass by Dane Meyer
Drums by Marcos Plata
Keys by Leon Mosburg, Nick Logie, Cara Salimando
VINYL
https://felte.bandcamp.com
- Limited edition of 500
- Pink Foam colored vinyl
- Vinyl inserted into an Inner Art Sleeve
BIO
'Minor Slip' is the Felte debut from Shaki Tavi, the main project of Oklahoma-born, LA-based DIY lifer Leon Manson and a cadre of friends and commiserators. Through layered squalls of fuzzed-out guitars and overdriven drums, deceptively beautiful pop hooks emerge, illuminated by Manson’s weathered, harmonized baritone and knack for inventive structures. Tracing the record’s origins to a phase of burnout and disillusionment, he recalls, “I started just sitting down with some minimal effects and gear, playing riffs, and asking myself, ‘What if it could be fun? What if it could be for me?’” The result is powerful, vulnerable, catchy, and uncommonly genuine, an eruption of creative force from the child of rock musicians, whose passion and drive emerged as a small town outsider, and strengthened amid the artifice and fend-for-yourself reality of LA.
Lead single, “Breaker”, combines a mid tempo breakbeat with prismatic guitars and laid back vocals, in a cross-pollination of genres that distills Manson’s years in different bands and scenes into a sincere, uncompromising vision. On “Foam”, skull-rattling riffs and a howling guitar hook soar over Big Beat drums, equally evoking arena-sized grandeur and jangly sway. The fullness and ambition in Manson’s arrangements developed over the course of a few years of writing, revising, and recording. He recalls, “After some surprising feedback to a couple of bedroom demos, I got my bandmates into the studio to make more polished versions; this second phase involved a familiar kind of existential drift and doubt, but the solution was the same as always: keep it simple, make stuff I like, and go from there.”
Despite his singular vision, Manson’s dedication to community runs deep; he has worked at LA’s creative non-profit Non Plus Ultra for years, and while acknowledging the massive scale of the West Coast arts scene, he notes, “The upside of this city is that the creative energy is off the charts if you are able to open your sails and harness it.” Manson further summarizes the emotional investment in his work, noting, “This record sometimes felt like a burden, other times like a life raft; it was a process of welcoming whatever is happening, even when there are minor slips.”
℗ + © 2025 felte
Written by Leon Mosburg
Performed by Shaki Tavi
Produced by Jon Yeston
Engineered by Jon Yeston @ EastYeston Studios, Los Angeles, CA
Mixed by Jon Yeston @ EastYeston Studios, Los Angeles, CA
Mastered by Kevin Smith @ Huge Hog Sound, Los Angeles, CA
Album photography by Sean Stout
Artwork Layout/Design by Austin Arias
Artwork Fonts by Austin Arias
Vocals by Leon Mosburg
Additional vocals by Nick Logie, Cara Salimando
Guitars by Leon Mosburg, Nick Logie
Additional guitars by Dylan Freeman
Bass by Dane Meyer
Drums by Marcos Plata
Keys by Leon Mosburg, Nick Logie, Cara Salimando
VINYL
https://felte.bandcamp.com
- Limited edition of 500
- Pink Foam colored vinyl
- Vinyl inserted into an Inner Art Sleeve
BIO
'Minor Slip' is the Felte debut from Shaki Tavi, the main project of Oklahoma-born, LA-based DIY lifer Leon Manson and a cadre of friends and commiserators. Through layered squalls of fuzzed-out guitars and overdriven drums, deceptively beautiful pop hooks emerge, illuminated by Manson’s weathered, harmonized baritone and knack for inventive structures. Tracing the record’s origins to a phase of burnout and disillusionment, he recalls, “I started just sitting down with some minimal effects and gear, playing riffs, and asking myself, ‘What if it could be fun? What if it could be for me?’” The result is powerful, vulnerable, catchy, and uncommonly genuine, an eruption of creative force from the child of rock musicians, whose passion and drive emerged as a small town outsider, and strengthened amid the artifice and fend-for-yourself reality of LA.
Lead single, “Breaker”, combines a mid tempo breakbeat with prismatic guitars and laid back vocals, in a cross-pollination of genres that distills Manson’s years in different bands and scenes into a sincere, uncompromising vision. On “Foam”, skull-rattling riffs and a howling guitar hook soar over Big Beat drums, equally evoking arena-sized grandeur and jangly sway. The fullness and ambition in Manson’s arrangements developed over the course of a few years of writing, revising, and recording. He recalls, “After some surprising feedback to a couple of bedroom demos, I got my bandmates into the studio to make more polished versions; this second phase involved a familiar kind of existential drift and doubt, but the solution was the same as always: keep it simple, make stuff I like, and go from there.”
Despite his singular vision, Manson’s dedication to community runs deep; he has worked at LA’s creative non-profit Non Plus Ultra for years, and while acknowledging the massive scale of the West Coast arts scene, he notes, “The upside of this city is that the creative energy is off the charts if you are able to open your sails and harness it.” Manson further summarizes the emotional investment in his work, noting, “This record sometimes felt like a burden, other times like a life raft; it was a process of welcoming whatever is happening, even when there are minor slips.”
