The sonic architecture of this live act is built on acoustic artifacts, found sounds, and liminal states of synthesis. A polyphony of field recordings gathered across various geographic and cultural contexts dissolves into a dynamic structure where textures, rhythmic microcycles, and resonant spectra interact between the material and the ephemeral.
The spontaneous organization of sound occurs at the intersection of granular sampling, nonlinear synthesis, and percussive reduction, creating an effect of continuous transformation. The sound field shifts from kinetic clusters to rarefied acoustic fragments, balancing between an objective audio document and a subjective perception of time.