Palestinian artist, بنت مبارح (Bint Mbareh), echoes and wails in dialogue with Abraham Parker’s & Izzy Karpel’s brass interjections on Fuoco Lento, then proceeds to send chills down the spine as she starts singing in Arabic on A Juniper Tree Whose Roots Are Made of Fire. Tenor saxophonist, Buster Woodruff-Bryant, lays down snake charmer waltzes on Sticks And Stones, followed by a spiritual sax solo on Rinascita which features the natural timbres of Yusuf Ahmed’s bamboo kit. Mantras, along with recordings of Andrea’s community, are dispersed throughout the album, amplifying the nostalgia and melancholy associated with the music. There’s an underlying archaic thread woven into the percussion that meshes perfectly with the organic acoustic instruments, ultimately becoming indistinguishable from the electronic drums or modular synthesis. Field recordings of the sea, cicadas, call for prayer, and the overall recurring noise from the surroundings evoke a vivid sense of space and are the foundation for realizing this visionary sound.