JUnQ, or the Journal of Unsolved Questions, is modeled on a parallel exercise: to sketch music and to score sculptures. Part exhibition, part book and part album release, JUnQ seeks to propose a collaborative language that binds the algorithmic needs of an artificial pop star to the performance of the artist himself. Boundaries between reality and artifice are blurred in a continuous chain of confrontation and sublimation, wherein a romance between analog evolution and digital experimentation is born.

The immersive project released by PAN represents Erwan Sene’s debut album and the multifaceted nature of his approach. Composed like a chorus of fantastical beasts, the album wanders atmospherically through a fogged wood. Sounds are never used for their default function– they are sculpted, distorted and amplified, becoming hybrids of themselves. A haunting banshee, the monstrous growl of an Orc, Siren songs wafting through the trees– these and more are recreated with sinuous violins, muffled harpsichord and digital instruments, culminating in a a vibrant “jungle” of sound.