Tell us about the new record.
Ange Halliwell: This record is my fifth. The way I make a record is always the same: I play the harp, improvise, pick out some interesting parts, etc. I’m always filming or recording them. Then, when I feel it’s time to make something out of it, I go through these archives and build or rebuild these little pieces into a full track. I have a big library of unreleased tracks, and I keep feeding it continuously.
For this one, I was really inspired by the time I used to call the spirits with my friend, and I still do it sometimes, with friends or by myself, simply by talking with my loved ones on the other side. The paranormal, ghosts, and communication with the afterlife have always fascinated me, and I wanted to pay tribute to them with this album. My own spirituality has always been tainted by the Catholicism I come from, in a negative way, and it’s only in the past few years that I’ve really been able to live and experience the spirituality I truly want.
When you were starting out on the harp, did you have any major influences or mentors guiding you? What kind of music were you listening to back then, and did that inform how you approached the instrument?
I didn’t have major influences or mentors guiding me, at least not specific to the harp. I didn’t really listen to music on my own until high school. The only music I heard before that came from my parents and my brother, and that included a lot of traditional music from where I come from, but also some really interesting artists my brother introduced me to, like Sopor Aeternus, Malicorne, Marilis Orionaa, Iamamiwhoami …
The first truly pop music I listened to was thanks to my best friend, and it was Lady Gaga’s The Fame Monster. It was a shock for me (especially the music videos). I even did my coming out thanks to “Born This Way,” I’m so gay lol.
I think having all these very different genres around me allowed me to approach the harp with the freedom I wanted.
Could you talk a bit about the Sharp FM mix you made? Do you think that the mix’s fairly eclectic blend of music reflects your outlook as an artist?
I think so, yes! For example, in my new album I mixed parts of traditional music with melodies inspired by Mylène Farmer. I really like creating contrasts in my music, adding elements I pick up here and there.
Do you think it’s important for the music you make to feel contemporary?
Mmmh, I don’t think so. When I’m making music, I don’t tell myself, “OK, this has to sound contemporary.” I just compose melodies and then try to add details, like lacework or any kind of artisanal craft. I think if you focus too much on “my music must sound like this,” you lose the essence of your art.