Best song from a rock opera?
“The Village Green Preservation Society” by The Kinks
There’s two things I feel it’s important to mention here before we go any further:
1. I consider a rock opera and a concept album to be the same thing, I don’t make a distinction between the two, unlike most people. It’s the same way that I don’t make a distinction between blue and purple—they’re both blue, although purple is the best blue. Stop signs are round. A rectangle is a square. I’ve kind of developed a system where things are simplified and there’s less things in the world to worry about.
2. His Name Is Alive has released two records that were intended as rock operas or concept albums: Tecuciztecatl (2014) and Patterns of Light (2016). I’m not saying I’m an expert on the subject but I’ve dug in pretty deep and stuck my hands inside the thing long enough to have a pretty good idea how it works. Tecuciztecatl covers twinology, secret language and Aztec creation myths set in 1969 London. Patterns of Light was written after being invited to perform at the Large Hadron Collider at CERN and spending a year studying particle physics with the scientist, Dr. James Beacham. That album features songs about dark matter and the search for extra dimensions but also studies the fundamental forces of nature as seen through the classic creation myths, the visionary theology of Hildegard Von Bingen, medieval manuscripts and cosmic maps, all in an effort to turn the physics back into poetry.
Okay, having gotten that out of the way, I’m happy to say I’ve just finished binge watching all six seasons of Downton Abbey and it’s clear to me that the best rock opera is The Village Green Preservation Society by The Kinks and the best song from a rock opera is the title track. Although it’s one of those things where I’m not sure how much is ironic or genuine concern about saving little shops, china cups, virginity and dracula, it really just connects. A word of warning tho: a British co-worker of mine just let me know that although his family loves the show, a friend of his who also loved “that TV programme” is now dead and to be very careful with “that TV programme.” Is there a curse on Downton Abbey? What about Antiques Roadshow? What about Jane Austen? Are we really ever safe? If they can get to D’angelo they can get to anybody.