How do you approach vocal production?
I like to take it as a case-by-case basis with every song, like sometimes I'll have them really upfront and not as effect-heavy, and other times they'll just blend into the beat damn near and I feel like that's how it should be hahaha, I think it should always be more about the song and the swag of it then actually trying to say something, after that's taken care of then I think you're actually saying something.
Could you tell us a bit about a blue room?
a blue room is a band i started with one of my best friends, Eli, and it came about from me and him living together and making hella beats all the time and having way too much other shit in common to the point where we were like, Why not just make the shit we've always fucked with into one thing. Since starting it, I've gotten my really good friends Bean and Jacklyn to join and it's my favorite thing ever. I see that MM is more of my personal pop project, whereas in abr I try really hard at making good songs and being ambitious or whatever you wanna call it, ‘cause it's not just me doing it, I believe in my friends a lot and wanna dp the absolute best i can by them.
You grew up in Florida, right? What was the music scene like when you were young?
Dude honestly where I grew up, which was around Clearwater, there wasn't much of a scene or at least I didn’t try to find it maybe? there was a lot of cool hardcore stuff and local rappers and etc., but I mostly just stayed my ass at home and online hahaha.
I read somewhere that you are a big fan of The Replacements. What is it about that band that speaks to you? What’s your favorite song?
I do love The Replacements and I think that beyond the music, I felt like a lot of their swag was being true to their roots and personalities, whether that included being as fried as fuck and very self sabotaging. They almost ruined themselves multiple times over the course of their career but I feel like when push came to shove the songs written spoke for themselves loud and clear and rode a really crazy line between sincere and stupid but fun. I think Paul Westerberg is an absolute genius fr. I'd say right now I love "Little Mascara" but usually it's something off of "Let It Be," that's one of my all time favorite albums.