Your past two single covers are somewhat informal, and you typically forgo posting your face on social media in favor of objects and cityscapes. How do you find aesthetic appeal in mundanity or material things?
Most things can have a metaphorical quality when you isolate them from their original context, and it’s just fun to always look out for those things. I feel like I collect these images; they become little horcruxes of spirit. It’s helpful to look at them when I work with sound—to get it right.
Where did you find the “spirit harvest” teddy bear?
I passed him sitting on the sidewalk, somewhere near Gare de l’Est a few years ago. It was a quick encounter, haven’t seen him since.
This project has adopted more electronic textures since its inception, to varying degrees, but traditional songwriting still feels like the focus. Is there any appeal in taking a more cut-and-dried direction, or will you always aim to evade genre parameters?
I usually start off with an acoustic guitar and try different toppings later on, often with some set formula in mind. It’s less about evading genre parameters and more about getting the parameters right, I think. I want the least stuff possible to get the idea across—so simple that it’s almost incompetent.
Where do your pop sensibilities stem from? Your Swedish forefathers from the hit factory?
Idk, I love The Cardigans.