The sonic landscape of El Mundo Al Revés is built from repetition and reduction. Short figures repeat and intersect, allowing character motifs to merge into the film’s broader mystical terrain.
Cello, flute, saxophone, guitar and mellotron follow intuition, remaining close to gesture and impulse. Raw and tactile, the sound mirrors Córdoba’s open landscapes and the film’s subtle friction between daily life and something unresolved.
Light appears, unexplained, and routine turns mythic, both on screen and in sound.
The music is threaded with fragments taken directly from the film, operating like a layer of found footage. An additional track with Mailen Pankonin extends the record beyond the film: an interpretation of Vengo a buscar mi caballo, heard in the film in its original form.

Music written for the movie by Agostina Di Luciano and Leon Schwitter in 2024

Written, recorded, arranged and mixed by Hora Lunga in Schlieren, Switzerland except:
17 written by Atahualpa Yupanqui and Pablo del Cerro.
Vocals on 17 recorded by Mailen Pankonin in Buenos Aires, Argentina.
All instruments played by Hora Lunga except:
Saxophone on 5, 6, 8, 12, 13, 16 and 17 by Valentin Müri and
Vocals on 17 by Mailen Pankonin
4, 7, 10, 14, 15 and 18 are excerpts from the movie.
Mastered by Anne Taegert at Dubplates & Mastering in Berlin, Germany.
Vinyl Postcards manufactured by vinylpostcards.com
Artwork and graphic design by Leon Schwitter and Hora Lunga.