‘Bicha’ showcases maeri’s exploration of the intersection between ambient music, field recordings and computer-manipulated sounds. With an overall serene tone, it invites the listener to slow down and listen to the nuances of each sound, to subtle layers of instruments almost hidden in the arrangement, as suggested ideas rather than obvious statements.
The hypnotic semi-filtered loop of ‘Polillas’, the transformative journey underwater of ‘Paisaje II’ and the soft wind-chimes of the field-recorded ‘Cicada’ all propose different scenarios, yet they belong to the same cohesive body of work. Dive in !