Little is known about the figure behind Fifle, though faint traces seem to lead back to a corner of the northern electronic underground where peculiar rhythmic forms and synthetic folklore have quietly circulated for some time.

With 'Wagonslow', Fifle's debutant output. He sketches a peculiar sonic pageant. Medieval tonalities and dungeon synth atmospheres drift through damp stone corridors while slow, parade-like percussion advances with ceremonial stubbornness. Bells toll, winds sigh and wavering synth choirs hover above skeletal rhythms — wagons creaking forward through fog-covered terrain.

Melodies appear like half-remembered folk fragments before dissolving again into echoing chambers and synthetic mist. Playful yet austere, pastoral yet mechanical, 'Wagonslow' unfolds as a curious procession of sound.

The short album inhabits a strange threshold between ancient ritual and speculative electronics — unearthed rather than produced.

OUT012 marks the arrival of Fifle with 'Wagonslow', the first but not last, transmission under his newly emerged moniker.
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