Klusa Daba - Idiocratic Trance Music
- 1Altered Sample Pack
- 2ClosedAI
- 3Corporate Cannibal
- 4Jose Bove Our Lord
- 5Trance Leftovers
- 6Idioteque
- 7Paradise Lost To Progress
- 8Ultra Music Sunrise
- 9Conundrum
- 10Post Modern Sampling
CKK092
•
Open edition
KLUSA DABA
Idiocratic Trance Music
CKK092 - February 2024
Chez.Kito.Kat Records
All tracks composed, mixed by Rodolphe Rouget & Pierre Z.
Mastered by Rupert Clervaux
Artwork by Troty
The Canadian label Chez.Kito.Kat Records publishes the new LP “Idiocratic Trance Music” by french duo KLUSA DABA. After having already released in 2018 their first glitch idm EP “Landscape”, they are coming back with a totally different mood on this new LP focused on trance experimentation.
ITM (Idiocratic Trance Music) is a commercial product resulting from the intensive modification of EDMmainstream samples. The album contains 99% loops from commercial “sample packs”. These sound objects are crushed, transformed and deconstructed to make a work with a synthetic and scintillating aesthetic. The use of initial materials that we hated, however, allowed the design of a coherent post-trance album with grainy textures and punchy synths. We want to challenge the excessive commercialization of music where each sound becomes a product and each preset a source of profit. This album allows us to question the relationship between sound and its use. A sound, today, is just an object that must be sold.
Idiocratic Trance Music
CKK092 - February 2024
Chez.Kito.Kat Records
All tracks composed, mixed by Rodolphe Rouget & Pierre Z.
Mastered by Rupert Clervaux
Artwork by Troty
The Canadian label Chez.Kito.Kat Records publishes the new LP “Idiocratic Trance Music” by french duo KLUSA DABA. After having already released in 2018 their first glitch idm EP “Landscape”, they are coming back with a totally different mood on this new LP focused on trance experimentation.
ITM (Idiocratic Trance Music) is a commercial product resulting from the intensive modification of EDMmainstream samples. The album contains 99% loops from commercial “sample packs”. These sound objects are crushed, transformed and deconstructed to make a work with a synthetic and scintillating aesthetic. The use of initial materials that we hated, however, allowed the design of a coherent post-trance album with grainy textures and punchy synths. We want to challenge the excessive commercialization of music where each sound becomes a product and each preset a source of profit. This album allows us to question the relationship between sound and its use. A sound, today, is just an object that must be sold.
