STRUKTURSTRUKTUR’s “the Gestalt” is a statement on the search for their own aesthetic and conceptual perception, and at the same time serves as a description of their music. Gestalt—in its ambiguity in both German and English—is a precise yet playful term for the phantom
STRUKTURSTRUKTUR, which seeks to position itself in a gray area. Their songs have an implicit effect; they serve as meditative vessels that leave room for introspection.

The compositions are characterized by a modern aesthetic that constantly questions and redefines itself. Their music is an ongoing process of self-discovery and dialogue with the world around them. The group experiments with distorted references and codes of pop culture, thereby creating a negative space of popular music where its influences dissolve and only outlines remain recognizable.

“störbild,” “angles morts,” and “the Gestalt” evoke a familiarity with minimalist, Eno-esque compositions, while the harsh rhythms of “ahab” and “stoffwechel.N” lean more toward post-rock and form a harmonious counterpoint to the softer compositions.

Vincent Rigling (git, fx), Leander Schöpfer (bass, fx), Simon Scherrer (dr, fx) and Silvan Schmid (dr, fx)