Clotheslines from Hell’s debut album, Slather On The Honey, is the sound of intimacy colliding with distortion. Songs pivot midstream, tempos shift without warning, and choruses surface once before vanishing. Built from iPhone sketches expanded into layered guitars, vocals, drums, and strings, the record nods to Elliott Smith, Nirvana, and Nine Inch Nails, yet remains unmistakably Adam LaFramboise.
Born from collapse after the fleeting success of his breakout single Open Up, the album turns wreckage into resolve. Fragile and oversized, frustrated and funny, Slather On The Honey is not the album that was supposed to be made, but the one that had to be.